Alexander McQueen: Spring 2012
Alexander McQueen Spring 2012
Otherworldly is the best way to describe Sarah Burton's Spring 2012 collection for Alexander McQueen. She referenced the Greek goddess Gaia, who in mythology gave birth to the gods of sea. The oceanic theme arose via undulating ruffles and pearl and coral-crusted embellishments that looked like barnacles. But first, the impeccable tailoring; first with a series of skirt suits, belted high and elegantly on the waist, done in powerful metallic gold and blush tones. Some of the jackets were cut to reveal delicate lace bralettes underneath. A string of babydoll dresses were floaty and full, designed to mimic the movements of a jellyfish, thanks to a plethora of ruffles. For the finale, a string of awe-inspiring gowns, one that spoke to the darkness of McQueen with black, spidery-cut leather. Models wore facemasks cut of lace, but some had beading made to look as if coral were spreading over their faces. It was transformative, and on a larger scale, a transformative moment for Sarah Burton, who has shown that she can lead the Alexander McQueen house forward in a lighter, but still breathtakingly complex direction.
- Trends: aquatic theme, pearls, feathers, embellishment, wide belts, asymmetric hems.
- Colors: gold, blush, coral, white, cream, black.
- Key Piece: babydoll dresses with lace and ruffles were surprisingly light, while the gowns were just incredible. For "everyday" we love the tailored jackets that opened the show.
- Accessories: platform gladiator sandals that climbed up models's legs.
- Who Would Wear It: The gowns are for the most fashion-forward red carpet goers. But we can see some of the skirt suits working on Sarah Jessica Parker.
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Otherworldly is the best way to describe Sarah Burton's Spring 2012 collection for Alexander McQueen. She referenced the Greek goddess Gaia, who in mythology gave birth to the gods of sea. The oceanic theme arose via undulating ruffles and pearl and coral-crusted embellishments that looked like barnacles. But first, the impeccable tailoring; first with a series of skirt suits, belted high and elegantly on the waist, done in powerful metallic gold and blush tones. Some of the jackets were cut to reveal delicate lace bralettes underneath. A string of babydoll dresses were floaty and full, designed to mimic the movements of a jellyfish, thanks to a plethora of ruffles. For the finale, a string of awe-inspiring gowns, one that spoke to the darkness of McQueen with black, spidery-cut leather. Models wore facemasks cut of lace, but some had beading made to look as if coral were spreading over their faces. It was transformative, and on a larger scale, a transformative moment for Sarah Burton, who has shown that she can lead the Alexander McQueen house forward in a lighter, but still breathtakingly complex direction.
- Trends: aquatic theme, pearls, feathers, embellishment, wide belts, asymmetric hems.
- Colors: gold, blush, coral, white, cream, black.
- Key Piece: babydoll dresses with lace and ruffles were surprisingly light, while the gowns were just incredible. For "everyday" we love the tailored jackets that opened the show.
- Accessories: platform gladiator sandals that climbed up models's legs.
- Who Would Wear It: The gowns are for the most fashion-forward red carpet goers. But we can see some of the skirt suits working on Sarah Jessica Parker.
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- Source: courtesy of Social Life Magazine; Getty
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