>> Peter Som  loves his color — his approach is, he admits : “I usually say yes to everything. Then I edit down.” This season, he had a vision  of what he refers to as Peggy Guggenheim meets Miami, and an affinity  for colors that looked sun-bleached, “or like Popsicles.”
The product paid tribute to the ‘60s, with shift dresses playing a starring role in the highly textural collection, which came in an array of structured, loose, and fitted cuts covered in a mix of florals — ranging from soft brocade to brighter silk prints. And Charlotte Dellal, who was front row, collaborated with Som on printed sky-high Charlotte Olympia  wedges for the occasion.
Closing out the show, in her first major runway appearance, was Ashley Smith, who between her gap-tooth grin and ample bustline has garnered lots of pre-season buzz. Post-show, Som didn't have much of a breather: he headed  straight over to Tommy Hilfiger, where he's a consultant, for fittings.