Dorian Leigh

Kate Moss

Models Get Their Due at 2009 Costume Institute Gala

>> Hints at the 2009 Costume Institute Gala theme have been swirling since May — first, it was thought to be an ode to Marc Jacobs, and then an ode to fashion muses.  Now that the official announcement has come out, we learn that both subjects are involved, just not quite in the way that was originally thought: the May 4 gala rings in "The Model as Muse," with Marc Jacobs as honorary chair, and Kate Moss, Anna Wintour, and Justin Timberlake as co-chairs.The accompanying exhibit, which runs May 6 to Aug.

>> Hints at the 2009 Costume Institute Gala theme have been swirling since May — first, it was thought to be an ode to Marc Jacobs, and then an ode to fashion muses.  Now that the official announcement has come out, we learn that both subjects are involved, just not quite in the way that was originally thought: the May 4 gala rings in "The Model as Muse," with Marc Jacobs as honorary chair, and Kate Moss, Anna Wintour, and Justin Timberlake as co-chairs.

The accompanying exhibit, which runs May 6 to Aug. 9, will explore the evolution of models and "their roles in projecting and sometimes inspiring the fashion of their respective eras," with special focus on one of the first publicly known models, Marion Morehouse; the first supermodel, Lisa Fonssagrives; fifties mannequins Suzy Parker, Dovima, Sunny Harnett, and Dorian Leigh; sixties icons Jean Shrimpton, Moffitt, Twiggy, and Veruschka; Seventies faces Jerry Hall, Iman, and Janice Dickinson; the supermodel trinity of Linda Evangelista, Christy Turlington, and Naomi Campbell; Nineties “It” girls Kate Moss, Amber Valletta, Nadja Auermann, and Shalom Harlow; and more recently, Gisele Bundchen.

As Harold Koda, curator of the Costume Institute, explained: "We look at the power of clothing, fashion photography and the model to project the look of an era. With a mere gesture, or the line of her body, a truly stellar model can sum up the attitude of her time, creating an alluring synergy between herself and the clothing to communicate a designer’s message to the wider world."

Seventy haute couture and ready-to-wear looks, plus photography, runway images, and video footage of models, rock stars, socialites and actresses who set the tone for each era will emphasize the theme, but most exciting of all — think of all the models who will be representing at the gala.
*image: source

Harper's Bazaar

The Picture of Dorian Leigh

>> If a five foot, five inch woman tried to be a model these days, she'd hardly be taken seriously.
Dorian Leigh, Trigere coat, 1950.

>> If a five foot, five inch woman tried to be a model these days, she'd hardly be taken seriously. Sixty-odd years ago, it was a different story . . . at least for Dorian Leigh, it was.

Ms. Leigh, who passed away earlier this week at 91 after battling Alzheimer's, was widely considered one of the world's first supermodels. In fact, her life was full of firsts: she was one of the first models to be known by name, and after her own modeling career, she opened what is called the first modeling agency in Paris.

Though Dorian started her career late — when she was 27 in 1944, she met with Diana Vreeland, told her she was 19, and landed a Harper's Bazaar cover right then and there — she appeared on seven Vogue covers in the 1940s, and claimed to be earning a whopping $300,000 a year.

She played muse to numerous bold name photographers: Cecil Beaton, Richard Avedon, Louise Dahl-Wolfe, Irving Penn — the last of whom she had an affair with, and may have been the inspiration for Holly Golightly in Truman Capote's Breakfast at Tiffany's. But she didn't take her job too seriously, declaring in 1953: "I'd rather have a baby than a mink coat."
*image: source, source, source, source, source, source, source, source