Haider Ackermann

>> Because there wasn't enough speculation about the Dior job already, fashion news minders have honed in on a Haider Ackermann quote that suggests he wants to take over the reins at the storied French fashion house.

In an interview with the Financial Times, Ackermann revealed that he has his eye set on not just one creative director's chair, but two.

"There are two houses I would be interested in," Ackermann said. "Two where I feel there is shared sensibility, and I could bring something else of myself to the house, which isn't expressed in my own line."

Ackermann declined to tell FT which houses he was talking about, but did admit that his dream is to work on a couture collection. He's been rumored to be in the running for the Dior job since the house's last creative director, John Galliano, was fired last March, and Karl Lagerfeld told Numero in 2010 that he wanted Ackermann to succeed him at Chanel.

Ackermann says no matter which job he does next, he's prepared for the pressure. "This is fashion, it's not surgery," he said. "It's a job; a job with a lot of dreams woven in."

>> A couple of weeks after rumors popped up suggesting that Marc Jacobs was at the top of the pack to take over as Dior's new designer, reports corroborate that the rumors just might be true.

According to WWD, Bernard Arnault is in talks with Jacobs about moving from Louis Vuitton to Dior, and meetings have reportedly been scheduled in Paris this week between Dior officials and legal representatives for Jacobs. Jacobs, who signed on as Vuitton's artistic director in 1997, has been in the midst of renewing his employment contract at Vuitton, but those discussions are said to have been put on hold, pending the outcome of Jacobs's discussions with Dior.

One source cautioned WWD that deal with Jacobs is not done, but both the designer and Dior management are so far "excited" about the prospect. If the deal goes through, Jacobs will get his first opportunity as a couturier, and his business partner Robert Duffy would come with him. Dior declined to comment on the reports, and Jacobs could not be reached for comment.

As for who would replace Jacobs at Vuitton, it sounds like Phoebe Philo could be first in line. LVMH has already reportedly held preliminary discussions with Philo, who is said to be "intrigued" by the project. If the shuffling plays out, it's reportedly likely she would design Vuitton in addition to Celine.

WWD reports that a number of potential candidates have been approached to succeed John Galliano, who exited Dior in March, including Alber Elbaz, Nicolas Ghesquière, Sarah Burton, Haider Ackermann and Hedi Slimane. Elbaz and Ghesquiere, who both have equity stakes in and strong commitments to the houses they design for, have withdrawn themselves from the running, and Burton is said to have rebuffed overtures. Talks with Ackermann and Slimane, meanwhile, did not end in an agreement. As for Riccardo Tisci, he is still considered a dark-horse candidate, and has been championed by Delphine Arnault, Dior deputy managing director and Bernard Arnault's daughter.

>> Tilda Swinton has played muse for Viktor & Rolf and Haider Ackermann — she met both, as well as Alber Elbaz, Stefano Pilati, Phoebe Philo, and Raf Simons (who designed her wardrobe for the 2010 film I Am Love) — through her close friend Jerry Stafford, the creative director of a French production company, who she works with in place of a stylist. “He’s my playmate,” she says. “It’s a game, and we have great fun with it.”

Swinton cites David Bowie and her father, Major General Sir John Swinton, as her style icons, and says of working with friends on what she wears for the red carpet: “For someone to know what you need to make you comfortable, they need to know who you are. Having them make clothes for me is like being cooked for by someone who knows what you like to eat.”

For the one-sleeve black Lanvin sheath she wore to the 2008 Oscars, for instance, she told Elbaz she wanted “to attract as little attention as possible and to feel as comfortable as if I were wearing pajamas. Little did I know that the really simple, chic dress one might have worn in Paris or Berlin would stick out like a sore thumb in Los Angeles.”

Stafford also creative directed Swinton's cover story for the August 2011 issue of W (left) — together they created a mood board for the shoot.