John Galliano Fashion Week

fashion week

John Galliano Fall 2012

John Galliano's Fall 2012 collection was the second solo show for Bill Gaytten, and the incumbent designer successfully set the tone for a charming, British-chic season.
John Galliano Runway Fall 2012

John Galliano's Fall 2012 collection was the second solo show for Bill Gaytten, and the incumbent designer successfully set the tone for a charming, British-chic season. He showed gorgeous floaty gowns draped in silk charmeuse and accordion pleats, riding coats with ruffled collars, and sumptuous velvet cropped trousers, all in a decidedly autumnal palette of mustard, royal blue, and cinnamon. Seasoned models like Coco Rocha, Jourdan Dunn, and Lindsey Wixson walked the runway outfitted in sexy thigh-high tights, sheer gowns, and lavish feathered headpieces, punctuating a Fall collection that was a genuine mix of racy and refined, English polish and undaunted sexuality — something we can only imagine Galliano would be proud of.

  • Trends: Ruffled poet collars, accordion pleat dresses, cropped riding pants, sheer and fur details.
  • Colors: Black, royal blue, red, mustard, cinnamon, soft gray.
  • Key Look: The sexy red riding hood: a black onesie with thigh-high stockings, topped with a red silk cape.
  • Accessories: Thigh-high stockings, stately feathered chapeaus, lace-up booties, suede and leather gloves.
  • Who Would Wear It: English sophisticates with a taste for ladylike glamour.
fashion week

John Galliano Fall 2012

>> What's a Galliano collection without a little subversion — even if John Galliano isn't the one dishing it out?
John Galliano Runway 2012 Fall

>> What's a Galliano collection without a little subversion — even if John Galliano isn't the one dishing it out? Bill Gaytten is well-aware of the signature Galliano ingredient, and for Fall 2012, the designer — now in his second season at the label's helm — offered it in the form supershort hems, hourglass silhouettes, thigh-high hosiery, and see-through gowns. But it wasn't all undone Victoriana, even if the main inspiration was the art nouveau eroticism of illustrator Aubrey Beardsley. Stephen Jones-designed hats, fur-trimmed capes, and easy-wearing dresses looked plenty romantic, as did the belted and ruffled riding coats that dominated the show. It may not have been over-the-top theatrical — but it sure made for a lovely mix.