Now that the Fall 2013 shows have wrapped, we can finally turn our attention to more pressing matters: what to wear this Spring. Lanvin's latest batch of accessories, which have just arrived at the brand's stores and at the flagship online, may be just the thing.
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Made up of tough-chic jewels, bags, and shoes (the same ones that accented the house's strong-shouldered runway collection last October), these are pieces that certainly showcase Alber Elbaz's "clever game between classicism and modernity" — but they won't go unnoticed either. The new Platform Pump, for example, features a sky-high heel, pointed toe, and comes in green, black, and iridescent python, while the Partition shoulder bag features a serpent chain strap, stone, metal, or wood hardware, decorative screws, and calfskin textures like croc or brushed metallics. The new Oracle jewels are also major statement-makers; in the form of geometric cuffs and brass breastplates that shine like mirrors, they're especially head-turning.
Here's the Adorable Alber Elbaz Skype Video Everyone's Talking About

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An actual maelstrom kept Alber Elbaz from participating in Lanvin's Spring 2013 campaign shoot, so he joined in on all the fun via Skype.
Hurricane Sandy and back-to-back fittings in Paris kept Elbaz from flying to New York when Steven Meisel shot the ads, according to WWD. So the creative director made a video call to oversee the proceedings that pops up in the middle of the campaign film. "It's almost like being in New York without flying," he says, later adding that "the perspective is just sick."
Sick indeed — Meisel created a dreamy landscape (with models including Karlie Kloss, Saskia de Brauw, and Daria Strokous) so beautiful that even Elbaz couldn't help but ooh and aah over the pictures. "It's divine," he says. "I feel I'm in a dream. I feel I'm in a cloud." A look at the beautiful cloud below.
Photo courtesy of Lanvin
Lanvin Spring 2013
It seemed the cloudy Paris skies cleared for Lanvin, and on this Friday night at 8PM, L'Ecole Nationale Superieure des Beaux-Artes, one of the gazillion gorgeous buildings in Paris a center for classic French art, was lit up against a navy sky and a bright full moon. It was the perfect setting for one of the most fun shows of Paris Fashion Week. Why? Because Alber Elbaz and team know how to make a show feel like a party. The runway, a pretty raw setup of scaffolding, bleacher seats, and a metal raised runway, dominated a gigantic glass-domed, tiled courtyard that featured Greco-Roman statues in each corner of the space. It was an interesting dichotomy of classic and beautiful and industrial. Everything else was cushy — literally the bleachers were covered in cushions, and tuxedo-clad waiters served macarons, tea sandwiches, and champagne in floral-painted glasses. It was a high-energy crowd that included the great Catherine Deneuve and the always chic Rachel Zoe. Now to the show: it opened with a series of black and white tuxedo-inspired looks. It was high glamour, one of the highlights being a heavily-embellished jumpsuit worn by Kristen McMenamy, whose gray, almost white hair fell past her waist. The show closed in jewel tones, with structured apron dresses that tied on the side. There was a distinct Japanese reference, but it was done subtly, via obi belts and kimono-ish shapes. I don't know that I would call the collection zen — rather, it was fun and sexy, like the asymmetric swimsuit worn with slouchy pants and heels, or the dresses that tied loosely on the side to reveal a hint of skin. There was also plenty to admire in the accessories department; thanks to the raised runway, everyone got to see the dangerously high irridescent platform ankle-strap heels and the little purses that resembled both girly perfume bottles and a tiny cartoon bomb. Overall, it was a superbly fun show with plenty of Parisian glamour for all.
