Olga Sherer

>> After seasons of blonde after blonde model, change appears to be afoot.  Don't worry, there are still seas of blondes out there, but for some key players, red seems to be the new shade of choice.  Coco Rocha — who created a stir by wearing a wig to an event last week — debuted her new flame-haired shade last night, a change which she apparently made for a January 2009 Vogue editorial.  Vlada Roslyakova also warmed up her tint recently — originally done for an upcoming Christian Lacroix fragrance campaign, she made the change back to blonde.  That is, until the team re-dyed her hair strawberry blonde to film the accompanying television commercial, and she decided to keep it. And let's not forget Lily Cole, who has not made any changes to her red head, but is about to be launched in a series of TV and print ads by Rimmel, who formerly relied solely on the blonde Kate Moss.

But maybe this new ginger obsession is just coincidence — fashion's perennial redhead Olga Sherer did decide to go closer to brunette last month at the behest of Steven Meisel . . .
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>> Tommaso Aquilano and Roberto Rimondi had a tall order to fill for Spring 2009.  Before Gianfranco Ferre passed in 2007, his architectural-based label had ceased to become relevent — as Cathy Horyn put it, "It’s been a while since anyone [has] paid serious attention to the Ferre name."  So could the newly tapped designers bring it back to the forefront?

The general consensus says yes.  Nicole Phelps of Style.com was pleased: "They deserve high marks for this outing." Cathy Horyn of The New York Times, a Aquilano-Rimondi fan, loved the effort, with one caveat: "The designers distilled the essence of Ferre in a new, eye-catching way. Now to just refine the elements a bit more . . . " WWD felt the same: "Aquilano and Rimondi have the right ideas, but what they need now is a little restraint."

Suzy Menkes of the International Herald Tribune also echoed the same sentiment: "Not all the Ferré collection was approachable. Yet . . .  the two designers created the clothes and the buzz that will bring fashion life back to Ferré."  With another season under their belts, Aquilano and Rimondi could definitely hit the right stride at Ferre.
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>> When Natalie Portman comes to the show, Keira Knightley hits up the after party, and Anna Wintour brings Bee — who usually only goes to Marc Jacobs and Proenza Schouler — along, you know Rodarte is really starting to make it big. Even Vogue Italia's editor-in-chief, Franca Sozzani, had a little trouble getting in — apparently, she tried to follow Anna and Bee through the velvet rope, but the PR staff wouldn't allow it.

Onto the clothes: They followed the same thought process as the Fall 2008 collection, but with a few key changes — the colors, the shoes (those treacherous shoes, made by Nicholas Kirkwood instead of Christian Louboutin this season), and the leggings, which were leather instead of knit, and although they looked laser cut, were entirely handmade.  Some think the look veered into Balenciaga territory, but me?  I'm just enjoying the view.  
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>> Alice Dellal may have been a special guest at Alexander Wang, but she was there in spirit at Proenza Schouler — the sideswept wavy hair, red lip, leathers, zippers, and crop tops shown were all reminiscent of her look. She may have been a starting point, but the collection had a downtown refinement that you would never seen in Alice — she revels too much in the grunge. All I have to say is: So many fun, billowy jumpsuits, so little time. And don't forget to check out the accessories — they're part of Jack and Lazaro's first full season effort.

To get the full experience, check out the runway video at Elle.com.
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>> It's hard to imagine being pregnant and designing hot little minidresses for other women to wear, but when you're Thea Bregazzi, one half of design duo Preen, and those hot little minidresses happen to be what your label is known for, that's just what you do.

The heavily expectant Thea stayed across the pond in London while her partner in design and life, Justin Thornton, carried on with the label's show today. He carried it well — everything went smoothly, save a slight wardrobe malfunction for Anja Rubik and the confusion that ensued at the end of the show, when Justin didn't appear at the end of the runway and no one knew when to start the final applause.

As for the clothes, the dresses with intricate paneled cutouts and peekaboo zipper slats, the piquante shots of tomato red, and the sexily laced up pleated skinny pants came together for a more refined collection than we have seen from Preen in the last couple of seasons. Maybe Thea should be pregnant more often . . .
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>> Take working-class fashion, add a pinch of Joy Division, and you've got the inspiration David Neville and Marcus Wainwright were drawing on for their Spring 2009 collection. The Rag & Bone show changed venues this season from the upscale Cipriani to the more hard-edged Pier 94 — a change from polished to slightly edgy that you could also say was reflected in the clothes.

Black wraparound leather belts with threateningly sharp silver spikes accented so many of the looks, and are sure to be a must-have — but even the typical Rag & Bone tweedy suits were rock-n-rolled up with a leather mini, like Julia Dunstall's closing look, or a silvery silk sheen, like Jessica Stam's blazer.

The model cast was full of high notes — stalwarts like opener Sasha Pivovarova or Coco Rocha — and the coveted new girls like Aline Weber and Liu Wen. Arlenis Pena was there too: she's had a big day, between being named as the new face of Lancome and slipping up at BCBG this morning.

To get the full experience, check out the runway video at Elle.com.
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