Vivienne Westwood Fall 2012

fashion week

Vivienne Westwood Fall 2012

If not for Vivienne Westwood, rocker chicks would have nothing to wear — and for Fall 2012, Westwood gives them plenty in the form of tulle, tartan, and t-shirts.
Vivienne Westwood Runway Fall 2012

If not for Vivienne Westwood, rocker chicks would have nothing to wear — and for Fall 2012, Westwood gives them plenty in the form of tulle, tartan, and t-shirts. Westwood always has a knack for wonderfully peculiar tailoring, in this case it's seen on sharp, angular blazers that look like origami structures and gigantic silhouettes, which for Fall are layered and oversized and bring to mind Mary-Kate Olsen during her "hobo-chic" phase. When it came to dressing up, Victorian-inspired sequin and marabou gowns were kept slightly unfinished, bringing a decidedly rugged, grunge-chic edge, and corseted coats were punctuated with sleek shadow-stripe silks. The collection wasn't presented without its share of showmanship, however; models rode bikes in girlie marabou dresses, carried bunches of blooms, and teetered on super-high platform heels down the runway. All in all, Vivienne Westwood's Fall '12 collection was a carefully curated and perfectly haphazard 17th-century soiree.

  • Trends: Plaid, mixed prints, iridescent silks, tulle skirts, marabou.
  • Colors: White, peach, baby blue, black, silver.
  • Key Look: The grunge-cool marabou dress with metallic silver gloves, elevator platforms — and a bike.
  • Accessories: Sky-high flatforms, jaunty newsboy caps, elbow-length gloves.
  • Who Would Wear It: Offbeat style setters with a punk rock edge.
fashion week

Vivienne Westwood Fall 2012

>> In a dizzying show that included a ghostly bride, a model on a bicycle, and a rather interesting take on Sherlock Holmes, Vivienne Westwood reminds us she doesn't play by the rules.
Vivienne Westwood Runway 2012 Fall

>> In a dizzying show that included a ghostly bride, a model on a bicycle, and a rather interesting take on Sherlock Holmes, Vivienne Westwood reminds us she doesn't play by the rules. Fall 2012 was intended as an ode to London, not in its current state, but its rich, sometimes seedy past. There was the requisite tartan, but rendered in oversized floor-skimming blanket coats or tightly structured blazers. There were punk tees over maxi skirts, and plenty of tulle, brocade, and crinoline to please a princess, but done here with gigantic platforms and ripped tights. Look by look, the show can seem overwhelming and a bit disjointed, but then again, that's a Westwood strategy to upset the balance a bit — and it's clear the 70 year-old designer is still having a rollicking good time.