Giancarlo Giammetti

Valentino

Young Valentino Just Wanted to "Wear Leather Pants and Dance"

Before he met his partner Giancarlo Giammetti, Valentino says he was a freewheeling 26-year-old who just wanted to have a good time.



Before he met his partner Giancarlo Giammetti, Valentino says he was a freewheeling 26-year-old who just wanted to have a good time.

The Daily Telegraph asked the designer to describe a photo of himself working in 1958, when he'd just come back to Rome to set up his first atelier on the Via Condotti. He'd just spent several years in Paris, going to clubs with Karl Lagerfeld and Yves Saint Laurent after class at the Ecole de la Chambre de la Mode. Before heading back to Italy, he worked for designers Jean Desses and Guy Laroche.

"At this time, I just wanted to have fun, drive a sports car, sunbathe at the beach, wear leather pants, and dance," he said. "But not long after this photograph was taken, I went to have drinks with friends and met Giancarlo Giammetti. It was Giancarlo who started to grow the business [he dropped out of studying architecture to look after the financial side of Valentino's fashion house from 1960]. We moved to Via Gregoriana, where we had 100 people in the atelier. Giancarlo decided that I should show my collections in Florence as it was a very important market. It all took off for me when the buyers of the American department stores Bloomingdale's, Saks, Macy's, and Neiman Marcus discovered me there."

Giancarlo Giammetti and Valentino at a party in 2006.

Valentino

Valentino Garavani to Launch Virtual Archives

>> Next month, Valentino will open his archives to the world.
Valentino Garavani Virtual Museum

>> Next month, Valentino will open his archives to the world. Using 3D technology, the Valentino Garavani Virtual Musuem — found at Valentino-Garavani-Archives.org — catalogs over 300 dresses from Garavani's five decade-long career, including Julia Roberts's Oscar dress and the couture dress Jackie Kennedy wore to wed Aristotle Onassis.

The site, which officially launches Dec. 5, will also feature over 5,000 images and 95 fashion show videos. Giancarlo Giammetti, Garavani's longtime business partner, explains of the site's content: “Animated galleries show a life’s work, and key dresses have been photographed in 360 degrees. Click on them and they revolve to show every line and stitch. Click again and discover the history of the dress, who wore it where and when, see it in the amazing campaigns that we created for the collections in the late 1960s, 1970s, '80s, '90s . . . move through to other spaces leading off the sunlit courtyards under the Roman sky to new galleries full of photographs of friends, models, drawings, animations, videos.”

Garavani adds of the project: “I see it as part of my legacy. I am happy that thousands of students, young designers and fashion people will be able to see and study my work in every aspect of it, and in a manner easy and accessible for the younger generations. But it is also important to remember things of the past, to review the fashion that has shaped our lives. I would call it ‘Future Memory.’”

A preview video of the site, below.

Valentino

Valentino Designers Maria Grazia Chiuri and Pier Paolo Piccioli "Loved" Working with Fired Designer Alessandra Facchinetti

>> According to Valentino CEO Stefano Sassi, if the brand's numbers stay strong through Christmas, it will be in the black again for the first time since the London-based private equity group Permira bought it in 2007.

>> According to Valentino CEO Stefano Sassi, if the brand's numbers stay strong through Christmas, it will be in the black again for the first time since the London-based private equity group Permira bought it in 2007.

When Sassi joined the company in 2006, to say that the company was without structure or fiscal discipline is an understatement, he told WSJ. Of Giancarlo Giammetti, Valentino Garavani's longtime business partner, Sassi said: "He is a fox, but also he was dangerous. He was a great communicator and he created an exclusive image, but if you compare what Armani was doing at the same age, now he was an entrepreneur.”

When Garavani retired in 2008, he had for years been only putting effort into the couture collection and the ready-to-wear runway shows. An accessories line — which now accounts for half the brand’s total revenue — didn't exist until 2000, and he left others to the pre-collections, which now make up 75 percent of sales.

When Alessandra Facchinetti took over after Garavani's retirement, she was critically acclaimed, but Sassi says that only 28 percent of her Fall 2008 collection sold at full price. And: “She was interested in one variable. We had 25 variables. And the more the critics talked about her genius, the less she listened [to management].”

Current Valentino creative directors, Maria Grazia Chiuri and Pier Paolo Piccioli, were the brand's accessories designers at the time and say they didn't angle to take the head job after Garavani's retirement. “We loved working with [Facchinetti],” Chiuri told WSJ.

But they took over after Facchinetti was fired at the end of 2008 and have brought a younger slant to the brand: their runway shows are mostly day wear, as opposed to Garavani's mostly evening wear. And they've brought positive momentum to the brand: sales were up 10 percent for the first six months of 2010, and store traffic is up 15 percent.

As for Garavani, who attended the most recent show in October and gave a standing ovation? Sassi says his presence is a mixed blessing: “Yes, you want the founder’s approval, but you also want to show that you are forging your own way. Do you want people to think he is OK with the things you’re doing? Yes. But do you want them to think that it is business as usual? I’m not sure.”

Valentino

Giancarlo Giammetti: Valentino's Spring 2010 Couture Collection a "Ridiculous Circus"

>> Giancarlo Giammetti and Valentino Garavani are no strangers to disparaging Valentino's successors, and after current Valentino designers Maria Grazia Chiuri and Pier Paolo Piccioli presented their Spring 2010 couture collection last month, Giammetti turned to Facebook.Valentino's longtime business partner posted on his Facebook page that he was “just speechless,” continuing, “not sad…just surprised.…We have always supported the new designers and we love them, but this time we have to distance ourselves from this ridiculous circus.”Giammetti eventually deleted the comments after the reaction he received, but told WWD yesterday that both he and Garavani “are always supportive of the designers of Valentino, even if we don’t approve of their effort to be cool at all costs.” The house of Valentino declined comment.

>> Giancarlo Giammetti and Valentino Garavani are no strangers to disparaging Valentino's successors, and after current Valentino designers Maria Grazia Chiuri and Pier Paolo Piccioli presented their Spring 2010 couture collection last month, Giammetti turned to Facebook.

Valentino's longtime business partner posted on his Facebook page that he was “just speechless,” continuing, “not sad…just surprised.…We have always supported the new designers and we love them, but this time we have to distance ourselves from this ridiculous circus.”

Giammetti eventually deleted the comments after the reaction he received, but told WWD yesterday that both he and Garavani “are always supportive of the designers of Valentino, even if we don’t approve of their effort to be cool at all costs.” The house of Valentino declined comment.

Valentino

FABTV: Valentino, The Last Emperor

If you didn't get a chance to see Valentino's flick in theaters, fret not, it's coming to DVD.

If you didn't get a chance to see Valentino's flick in theaters, fret not, it's coming to DVD. Starting Sept. 8, you can add Valentino: The Last Emperor ($16) to your movie collection. Along with the original feature-length film, you'll get 46 minutes of bonus material — three mini features about the world of haute couture as well as the life of Valentino and business partner Giancarlo Giammetti. Just some things to look forward to: tours of Valentino's homes around the world, the making of one of his signature red dresses, and his farewell couture collection.

Valentino Garavani

Valentino Sticks to the Yacht at Cannes

>> Valentino made headlines earlier this week for his reaction to the fashion on the Costume Institute Gala red carpet — he shook his head, muttered "no, no, no," and wiggled his finger, adding: "I think now all the girls look very ugly.  I saw the pictures of the Metropolitan gala evening [in New York] last week and I never saw something more ugly, all the girls have their legs out with the most terrible proportions."

>> Valentino made headlines earlier this week for his reaction to the fashion on the Costume Institute Gala red carpet — he shook his head, muttered "no, no, no," and wiggled his finger, adding: "I think now all the girls look very ugly.  I saw the pictures of the Metropolitan gala evening [in New York] last week and I never saw something more ugly, all the girls have their legs out with the most terrible proportions."

He also told the Guardian that he has "so many ideas I could design a collection in two days but don't miss it at all" — now that he's retired he "tr[ies] to have a good time."  Although he hasn't made any red carpet appearances, his yacht has been spotted docked in Cannes — wonder what he has to say about all the Cannes fashion?

Or maybe instead of joining the parties in Cannes, his idea of fun now is staying in his yacht and having a meal cooked by partner Giancarlo Giammetti's chef, Pablo — in her GOOP newsletter this week, Gwyneth Paltrow raves over "GG, as he is affectionately known" and his chef's "rustic Italian food to die for . . . that can get me over there on the darkest and rainiest of London nights."

Valentino Garavani

>> INSIDER WIRE —When Bruce Weber found out Matt Tyrnauer was directing the Valentino: The Last Emperor documentary, he gave Tyrnauer some advice: “Hire male models to work for you.

>> INSIDER WIRE —When Bruce Weber found out Matt Tyrnauer was directing the Valentino: The Last Emperor documentary, he gave Tyrnauer some advice: “Hire male models to work for you. It doesn’t matter if they know how to do anything; you’ll get double the time with Valentino and Giancarlo [Giammetti]. And let me tell you, no better advice has been dispensed. We did hire male models, and eventually the job they ended up doing was putting the mikes on Valentino and Giancarlo before we’d start filming each day. You know, it has to go under the clothes. Well, they loved that. They’d say, “Is it time to get our mikes on yet?” [The Cut]
*image: source

Diane Von Furstenberg

The Emperor Valentino Reigns at New York Premiere

>> Last night, Valentino Garavani and Giancarlo Giammetti were in New York to fete the opening of Valentino: The Last Emperor — arguably their biggest Manhattan party ever, between the screening and the dinner for 200 of fashion's finest (including Anna Wintour, Anja Rubik, Jason Wu, and Chanel Iman) at the Plaza's Oak Room.  The designer's six pugs Molly, Milton, Monty, Margot, Maude, and Maggie, who director Matt Tyrnauer has dubbed "the costars of the film," weren't present — according to Valentino, "they're getting some time away from me in Italy" — but maybe that's a good thing: Karolina Kurkova admitted, “they’re really not nice to everybody” and Gwyneth Paltrow agreed, calling the pugs "kind of mean."
The Emperor Valentino Reigns at New York Premiere

>> Last night, Valentino Garavani and Giancarlo Giammetti were in New York to fete the opening of Valentino: The Last Emperor — arguably their biggest Manhattan party ever, between the screening and the dinner for 200 of fashion's finest (including Anna Wintour, Anja Rubik, Jason Wu, and Chanel Iman) at the Plaza's Oak Room.  The designer's six pugs Molly, Milton, Monty, Margot, Maude, and Maggie, who director Matt Tyrnauer has dubbed "the costars of the film," weren't present — according to Valentino, "they're getting some time away from me in Italy" — but maybe that's a good thing: Karolina Kurkova admitted, “they’re really not nice to everybody” and Gwyneth Paltrow agreed, calling the pugs "kind of mean."

When Giancarlo Giammetti was asked about his comment on film that the designer looked too tan, he was quick to explain, "We'd come from the beach, and we were about to show summer suits, and he just . . . it just seemed like too much. But it was one time, and one time only."  And as for those rumors that he was back to helping out at Valentino for Fall 2009, Garavani denied having any hand in it, "No, not at all.  Very far from the truth. I don’t think about it. I wish my assistants to do the best. It’s a big job, though, and to know my name goes on the designs, I want them to do the best.”

Meanwhile, the film seems to have already inspired at least one person — Zac Posen. "I wouldn't mind being followed around too for two years.  It's all about having the right collaborators."
*image: source, source, filmmagic

Karl Lagerfeld

Valentino: The Last Emperor Hits US Theaters

>> Valentino Garavani may have retired from fashion — or maybe not, there are rumors that he had a hand in the Fall 2009 Valentino collection — but either way, he's been a busy man promoting the impending US premiere of Valentino: The Last Emperor tomorrow, March 18, in New York.  He does, however, say he's "extremely happy to have quit from fashion.

>> Valentino Garavani may have retired from fashion — or maybe not, there are rumors that he had a hand in the Fall 2009 Valentino collection — but either way, he's been a busy man promoting the impending US premiere of Valentino: The Last Emperor tomorrow, March 18, in New York.  He does, however, say he's "extremely happy to have quit from fashion. All of the designers are doing the eighties. I hate the eighties. I did it, and I hate it. When I go to see my dresses of the eighties, I vomit.”  Instead, he's appearing on Oprah, The Martha Stewart Show, receiving a Rodeo Drive Walk of Style award, and contemplating designing for opera and ballet.

As for the movie, Matt Tyrnauer, the documentary's director, promises "one explosion after the other. Valentino is very impatient. He’s a Taurus. He loves the drama. There are divo moments and there are tantrums, and a lot of them are directed at the camera. It’s sort of like a cross between a hurricane and a cyclone." Which made it interesting when he first showed Valentino and his partner Giancarlo Giammetti the director's cut: "It was not easy.  To tell you the truth, they kind of freaked out. We had some healthy discussions and multiple screenings over the course of several months. And they have come to accept it."

You've probably seen the pug-filled trailer by now, but another clip is below, featuring Karl Lagerfeld telling Valentino after his show, "That's the way it should be done.  Compared to us, the rest are making rags."  After the movie hits New York, it travels to Chicago, San Francisco, and Los Angeles — information here.

The clip! »

Valentino

Critics Concerned Over Chiuri, Piccioli's Valentino-Approved "Imitation" Collection

>> Maria Grazia Chiuri and Pier Paolo Piccioli, whose first collection for Valentino debuted yesterday seem to have the approval of the house's namesake.  Valentino Garavani, who sat front row with partner Giancarlo Giammetti, leapt to his feet as soon as the show was over, applauding: "They did a very good job.

>> Maria Grazia Chiuri and Pier Paolo Piccioli, whose first collection for Valentino debuted yesterday seem to have the approval of the house's namesake.  Valentino Garavani, who sat front row with partner Giancarlo Giammetti, leapt to his feet as soon as the show was over, applauding:

"They did a very good job. It is a collection that is perfect for this very moment.  It was quite emotional to see all my clothes, done by these people who loved me for 12 years, and they are really sensational. They were always staying with me during my fittings of haute couture.”

But other members of the audience weren't so convinced about the collection, which "could have been sourced right out of the house pattern archive," in the words of WWD.

"For the most part they were just . . . imitations" »