Riccardo Tisci tapped into Game of Thrones decadence with his Fall collection. Setting the stage in an intimate appointment-only landscape, Tisci took his viewers into a luxurious, gypsy-inspired world surrounded by the trees. We can't help but feel transported to Sherwood Forest as the regal-like collection unfolded in rich red beading, embroidery, and laser-cut leather and fur. He tapped into luxury, but like all things Givenchy, the richness was never overworked or too precious. With easy silhouettes, you have the sense that you could carry off the most intricately beaded and embellished pieces as easily as Joan Smalls, who wears her glittering and fringed black and gold ombre top with a perfect nonchalance. That's the cool-girl quality Tisci never forgets; here it was the opulence of his details countered in effortless shapes, like a simple column gown finished with a fur caplet or an intricate, perfectly draped leather and fringe cape.
- Trends: Fur, capes, thigh-high slits, leather, fringe, geometric embellishment.
- Colors: Rich red, black, buttery brown, creamy beige, flecks of gold.
- Key piece: The red beaded, fringe, and fur-trimmed capes and coats in black and brown.
- Accessories: Visor-like shades, open-toe boots (and a German Shepherd).
- Who would wear it: The ultraluxe gypsy; Carine Roitfeld was made to wear the fringed leather capes.




What is it with this fake "down home" country as value resurgance we are seeing these days and no we aren't talking about America's hokiest Vice Presidential candidate. We find "straight talking straight shooters" to be contrived in politics and frankly we like it even less when it shows up in our fashion. And now we have not one but two major shows asking us to ride into the sunset thanks to an urban cowboy resurgance at
Maybe the ride'em cowboy aesthetic was mere idle inspiration at
If country is the new urban, down home the new luxury, and meaningless clichés the new value then who the hell knows what feels "right" for the next season. We want no part of this clunky contrived artificial pandering. Not in politics and not in fashion. Sure, they say that cowboy is a perennial trend that pops up like clockwork but are any other designers genuinely doing a return to country seriously? We think not. And it feels even weirder coming culturally twice removed from a man who probably doesn't spend a lot of time on the open range if you catch our drift. Its cultural appropriation at its worst.
Thank God Hermés has separate merchandising and accessories teams or we would be forced to write off this entire mawkishly sentimental season as a complete and total farce. Blessedly someone took care of making sure reasonable 
